Among the message -Savitri Indian English poets, Krishna Srinivas (b. 26 July 1913, d. 14 December 2007) stands as a learned poet, composing with the user-friendly intelligence. He as a seer of poetic fact composes with the soul-force, expressing the variety of spiritual experiences as well as knowledge to highlight the vital internal existence vis-à-vis the outside existence as the basis of true life as well as living. He checks out the intricacies of nature, its keys and also shocks, with a penetrating vision and comprehends the totality of life in a soul-realizing language.
Inwardness is his solid indicator: His message has the all-inclusive and also all-transcending texture of the Indian soul as well as internal contemplation of Eternity which has actually been the Indian path throughout the centuries. His ideal is not to withdraw from life however to live life by the light and also power of the spirit. He reveals preference, not for the fleeting or brief, however, for the long lasting, eternal, as well as wishes to utilize human life for recognizing the never-ceasing spirit, the infinite consciousness in him. The globe is the private writ large, the Platonic amplified guy. He browses it via and within him, as well as hence aims to symphonize the all-natural and divine, the outer and also the internal, the restricted and the absolute, the psychological wishes and also the fullness of tranquility and eternity. Peace as well as harmony are his interest as well as synthesis from chaos his forte.
As a poet of inner ambition-- the desire to understand, to really feel, to connect the Reality that pervades deep space-- he discovers the unity in diversity which is, to price quote Rabindranath Tagore, the "innermost creed of India." Like Sri Autobindo or Tagore, he attempts at developing a spiritual basis of our life and also being with the awareness of unity with all beings. He desires us to alter the external existence by the inner influence so that global love, relationship as well as tranquility could rule the planet.
It is his quality of the mind and also attitude towards the issues of life, as expressed in his twenty approximately quantities of verse that provide him a distinctly Indian English poet, amazing for vision as well as creative power. His poems of medium length such as River, Wind, Ageless Fire, Earth, as well as Void which later on appeared in an abridged form as Five Elements (1981) drew globe focus for their epic and planetary dimension. Though these could defy comprehending "other than in primitive terms," as K.R.S. Iyengar explains, what is tried is strictly past achievement. In fact, he develops concept of words with complete consciousness as well as maintains verse as a "state of being," an entire distinctive way of life, of living, of approach to life. What he composes is additionally spiritual philosophy, absorbing subtle emotional, social and also intellectual facts.
The poet aims to weave webs of partnership in between the planetary, the historic, the scriptural, the legendary, as well as the individual, and the visitor is usually thrilled and frustrated, edified as well as irritated. Moses and Buddha, Valmiki as well as Neruda, the Waste Land and also the Solitary Reaper, Zen and dhyan, East as well as West-all tumble together, and one really feels revealed to a range of echoes and also intimations from the poets, prophets, and theorists of all time. He appears to be involved in a mystic venture to join all differences into one illimitable durability.
His art consists in his separation from the basic capillary of writing in the 1970s and 1980s. The relevance of Krishna's verse depends on the greatness and also well worth of its material, the value of its thought. It is forceful in its compound, art and structure. Krishna's poetic assumption is typically the interaction of Indian mind and spirit, abundant in symbolized experience and creative capacity, including the background of guy's past, existing and also future.
Like any type of old Indian thinker, Krishna points to the imperishable inner, spiritual aspect of man. His spiritual creative imagination finds that one is greater than simple human body, and body is the house on non-material essence, the Soul, which is past the physical legislations of the globe. The heart is reality awareness and also bliss, which is all infusing, and also is the cause and sustaining force of this universe. He views that the power which developed the outside world is just a symptom of that power, Brahman. This spiritual motive controls his poetic development throughout. He pursues a socio-spiritual reformation, when he covers the best fact of the spirit, as well as wants individuals to improve their actual life in the light of the reality of the spirit.
One can dislike his creative wizard without a feeling of sympathy, spiritual feeling and sensibility, for he is extremely committed, vibrant, profound, symbolic, thoughtful, pythonic as well as above all, spiritual. Frequently in 'sweated quest' for Reality, he runs at a high degree without attempting at calculated mystifying: Science, metaphysics as well as history in his poetry coalesce to create a refreshing imagistic pattern; he makes viewpoint take right into its fold a number of scientific researches. Formulated in an all-natural articulation, the framework of his pivot suggestions supplies a sharp honest and also psychological understanding right into a textile of the present-day ethical culture. The despicable, unpleasant globe problems function as a driver for spiritual awakening and even revolt. He combines in him the man, the poet as well as the prophet.
Verse for him is a method to recognize the truths of life and also ideology, to experience the transcendent spirit, recognizing the mind-body-self facility. With poetry he attempts to evaluate and also offer the various philosophic systems and also religions of the globe. The ultimate understanding is: oneness of the human race, entirety of spiritual worths, oneness of the fact of male and also the globe: "Vedas, Upanishads/Bible, Koran/ Sutras, Desert Prophets/Sacred Arts/Sacred Sciences/Teach all worlds/Teach all spheres/Teach all beings/ in high and low/ as well as Far Afars" (Void, p. 30). Krishna the poet really feels as well as experiences as a person of the universe as well as promotes the entire humanity, recouping the faith of centuries which had dissolved like a desire.
One can determine the stamp of Indian society in Krishna's philosophical musing-- no peculiarity, yet a genuine human interest-- which springs from spiritual disquiet at the existing order of points: His air conditioner of thought emerges from an uneasyness at the view of wickedness that cast a grief over life in this world. He attempts to understand the resource of these evils as well as incidentally, too, the nature of the universe as well as the definition of human life, in order to discover some means for getting over life's anguishes. The darker side of points are just initial as a result of the understanding of life thoughtlessly led by impulses and desires. The final brighter side of things appear with the affirmation of hope, generated by confidence in the eternal spiritual order that poets like Dante, Wordsworth or Sri Aurobindo existing.
Krishna composes with God's voice. The entire series of Upanishadic understanding bears upon his thought-structure: His consciousness is bathed with the natural beauty of divinity where all that is imply, repellent or divisive shrivels and passes away. He regards the essential unity of all as well as likes the entire world as one. He believes with the entire ending up being the whole: His verse moves from the spring in God, the realization of the highest at the heart of deep space. Sound and silence wend his poetic progression. He produces a vision of the spirit with the consciousness of life: Consciousness rules the product aspects and all that emanate from them. His poetry is spiritual prayer, the Upanishadic tapas. He believes life which enfolds and also unravels the entire globe. He understands the life that is spirit: Spirit in river, fire, wind, planet and gap; spirit that holds the breath, voice and eye, the ear and also mind; spirit that rests in silence; spirit that is past the lands of great and also bad. His user-friendly poetic spirituality turns into real understanding, via trying outs expression that he makes to articulate his own mystic revolution.
As a poet of consideration as well as inner reality, he demonstrates an unique structure-texture monitoring which has actually been both applauded and also knocked. Yet his verbal as well as syntactic creativity, phrasal constructions as well as coinages, style as well as theme are all communicative and also interpretative. He acts a synthesis of various old as well as modern-day cultures, spiritual concepts, thoughtful concepts, misconceptions, symbols and intimations from varied countries and scriptures, besides using words, expressions and images that resemble Aurobindonian perceptiveness: 'Illumined optimals', 'sunlight of inconscience', 'seven centres heavened and also mind illumined', 'balanced song of Time', 'Overmental recognition', 'Primal pureness', 'Integral tour', 'issue mad for life', 'planetary celebration' etc
. Krishna frequently differs the supposed 'common' English language patterns in any way degrees without being muddled: 'BE MANYed', 'Divinitied', 'halcyoned', 'Onned', 'THAT THOUed', 'Void vortexed', 'Past debrissed', 'Birthed as well as deathed', 'oceaned floor', 'aeonic cravings', 'The High Edened', 'Earth genesised', 'As urchin unteened', 'Lord turtle in base', 'Vasty wombs of area', 'Cradled in Peruvian roofs/Sported in Canyon depths/Lived in Iceland towns/Rolled in Yangtste deeps' etc. As he nativizes the English language hence, he reflects his Indian sensibility, though his dedications and also attitudes are global. He sees the very same river of life streaming anywhere whether it is the Ganga, Kaveri, Brahmaputra, or Yangtse, Congo, Colorado, Mississippi, Hudson, Thames, Nile, or Amazon.
His search of viewpoints - of Christ, Muhammad, Mahavir, Sankar, Ramanujan, Madhva, Vallalar and also others-is no "spiritual publicity," instead it is a leader to different kind of poetry. Krishna turns a seer poet in the practice of Sri Aurobindo equally as in his interpretative vision he includes male's rationalism, aestheticism, vitalism, and also the crucial spirituality with a sense of art and background, and leads us to volume of life and being.
Excellent art never tires, as Ezra Pound stated over a century back. Krishna's language as well as style stem from the contemporary age: There is clarity of thought construct, strength of feeling, seriousness of intent, and inherent vigor matching his sobre and mild tone that supplies, to name a few points, understanding right into the country's social values vis-à-vis the cultures of the world. His cosmogonic thinking has an unusual mix of vision, appeal and social awareness, just as his rhymes of epical dimension-Dance of Dust (1947), Everest (1960), Maya (1975), Five Elements (1981), Beyond (1985)-- inhere the cultural mind of humankind as a whole.
Krishna is a wizard, condensing as well as recreating in his poems the extensive understanding and wisdom of all individuals and all ages for individuals anywhere today. It is not via the large canvas of classic legendary structure however through the rhymes of short length-- readable in one sitting-- that he develops subtle epic results. It is the greatness as well as amplitude of spirit, speech and also motion-- not size-- that define the impressive. Krishna develops his epical thought impacts via a strained texture of spoken harmony, exuberant vigor, commemorating the Ultimate Reality, the look for the Unknown Truth, the absolutely spiritual in man. His knowledgeables pulsate with pure euphorias, discoveries as well as necromancy.
His lengthy rhymes such as the Dance of Dust, Everest, and also Five Elements-- all made up with a sense of history-- are inner tranquils of the heart. Krishna's passionate wanderings of exploration via histories, philosophies or verses to discover the one spirit in us are, in reality, everests of the Soul. His visionary flashes expose to us the limitless achievement of our inner world and confirm to us the unity of all spiritual vision and life. His very own translations of the Tamil Vedas (1984-91)- four thousand verses of the twelve Vaishnavite apostles sung by over sixty million Tamils across the world-add to his ageless effort to mix all globes, all thoughts, all times. Not surprising, as a result, the President of India honoured this globe poet and celebrated editor and also author of the Poet monthly (published singlehanded and also without break from Chennai for over 48 years) with the desirable Padmabhushan honor in 2004.
Works of Krishna Srinivas
Krishna Srinivas. 1947. Dance of Dust. Madras: Poets Press India
_______. 1960. Everest. Madras: Poets Press India
_______. 1975. Maya. Madras: Poets Press India
_______. 1981. 5 Elements. Madras: The Christian Literature Society
_______. 1983. Sankara. Madras: Bhavani Book Centre.
_______. 1983. Ramanujan. Madras: Poets Press India
_______. 1983. Madhva. Madras: Poets Press India
_______. 1983. Muhammad. Madras: Poets Press India
_______. 1983. Christ. Madras: Poets Press India
_______. 1983. Globes. Poet, Vol. 24, No. 11.
_______. 1984. Vallalar. Poet, Vo. 25, No. 3.
_______. 1985. Beyond. Madras: Poets Press India.
_______. 1986. Mahavira. Madras: Poets Press India.
_______. 1987. Poetical Works. Madras: Poets Press India.
_______. 1984-91. Tamil Vedas. Madras: World Poetry Society Intercontinental.
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